Sande Society Masks

Sande is one of many secret societies found across coastal West Africa, but with a singular distinction: its membership is entirely female. Also known as Bundu or Bondo, the society originated in Sierra Leone and has spread not only across the region’s normally well-observed ethnic boundaries, but also across the political border into Liberia.

Although Sande’s specific practices remain largely secret, its helmet masks are both emblematic of membership and entirely public-facing. Characterized by large domed foreheads, small composed faces with downcast eyes, ringed necks, and elaborate coiffures, the masks embody cultural and societal ideals of feminine beauty. Many also incorporate symbols of authority or protection — amulets, animals, and tools that reference aspects of community life or moral allegory.

Worth noting, these masks are also known as ndoli jowei, “the dancing sowei” (sowei being the term for the spirit thought to inhabit the mask). They are carved from single blocks of wood by men, most frequently on commission. The dark color is gained through the application of stains or paints. Before the broad availability of enamel or boot polish which predominate now, the color is said to have been the result of stewed and fermented leaves which were then finished with palm oil for shine and color depth.

Examples of Sande Society Masks in Museum Collections

While many museums have single or perhaps a small handful of these masks in their collections, below are a few which have larger numbers that offer a broader range of styles over a longer timeline.

Baltimore Museum of Art

British Museum, London

Brooklyn Museum of Art

National Museum of African Art, Smithsonian

Yale University Art Gallery

In Print (draft 8/17/26)

The Sherbro and Its Hinterland, Thomas Alldridge, 1901.

Radiance from the Waters: Ideals of Feminine Beauty in Mende Art, Sylvia Ardyn Boone, Yale University Press, 1986.

Visions from the Forests: The Art of Liberia and Sierra Leone, Jan-Lodewijk Grootaers and Alexander Bortolot, editors. Nanina Guyer and Frederick John Lamp for articles specific to Sande. University of Washington Press, 2014.

Complementary Opposition in Mende Art and Ritual, William L. Hommel, Ph.D. 2018.

Bundu: Sowei Headpieces of the Sande Society of West Africa, The Imperato Family Collection, Gavin H. Imperato and Pascal James Imperato, Queensborough Community College Art Gallery, 2012.

Sande Masks and Statues from Liberia and Sierra Leone, Daniel Mato and Charles Miller III, Gallery Balolu, Amsterdam, 1990.

Representing Women: Sande Masquerades of the Mende of Sierra Leone, Ruth B. Phillips, UCLA Fowler Museum, 1995.

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